Compositors

The compositor should be a team player, taking guidance from the Effects Supervisor, but also be able to work effectively alone.

Tackling the compositing of shots effectively.
Briefing junior compositors when the dividing of shots into tasks (e.g. rotoscoping) is required.
Delivering final shots that are creatively and technically excellent.

Direct reports:
Visual Effects Producer
Digital/visual Effects Supervisor

Strong film showreel, with clear information to show what was done, and by whom.
Good understanding of photography and film, and how the interactions of light, lenses and film emulsions make up the image.
Some understanding of the whole digital film pipeline, from scanner to film recorder.
Ability to take direction and structure working practice so that design changes can be efficiently made.
Desire to learn from others and to take on increasingly challenging shots.

Experience with a high-level film-based
compositing system, most likely Shake